Although I have limited experience in book design, I appreciate handsome books. I have a reasonably good eye but no creative imagination, so I especially admire creatively designed books. Conversely, I am dismayed by poorly laid out books (often self-published). As a copy editor, I similarly deplore evidence of lackadaisical editing: typos, misspellings, errors in fact, and so on. But I realize that I can’t take responsibility for all the books that are published.
I often think that architects must feel the same way, appreciating beautiful buildings and sighing over or cringing at ugly ones. Some buildings are just ugly from the outset; others become ugly through injudicious alteration, and it is the latter type that I see a lot of. Many of the houses in my neighborhood are examples of design by accretion, and our house is among them.
I will readily admit that our house is hideous. Originally built as a vacation cottage, it had front porches upstairs and down. When some previous owners enclosed these porches, they tacked on a new front porch—not much more than a stoop really, of brick steps covered by a roof supported by incongruous “iron lace” pillars. They or some other owners built a concrete patio onto the back, then later enclosed it for a screened porch. The people from whom we bought it had added on a master suite above that porch. The porch, which extends to the west side of the house, continues to the east as a single carport. In order to provide covered parking for two cars, some other owners had added an aluminum carport onto the front of that. The end result of all these additions is a monstrosity, but at least it isn’t our fault (except to the extent that we haven’t done anything to make it better).
The ugliness of our house was a fait accompli when we bought it. But when new improvements are made to a house, it seems reasonable to assume that the current owners view them as an actual improvement. Though some of our neighbors have in fact managed to add on tastefully and unobtrusively, many other changes make one wonder, “What were they thinking?”
For example, there is a house around the corner that, when we moved here, was basically a big two-story box except that it had a large uncovered front porch stretching the width of the house. This was basically just a large slab of concrete, with no railings or roof. The front door opened directly into the living room, which also stretched the width of the house, and at some point the owners decided they needed a covered entry, so they built a little box in the middle of this expanse, tarted up with fancy woodwork, including a broken pediment over the door, but still looking very much like a wart on the house. This alone was bad enough. Then an artist bought the house and decided to add on further, constructing a studio area over part of the porch (and existing foyer), adding columns and railings to the now-covered porch. The result was what one local wag dubbed “the sky box” (see photo below). Note the clumsy way in which the existing roof was extended to cover this addition (in case it’s not obvious from the photo, that’s copper roofing used to extend asbestos “slate” shingles). When I asked an architect friend (whose sign was in front of the house) to reassure me that he had had no input into the design process, he hastened to do so, adding, “And the worst thing is that they want to put the vinyl siding back on.” (The siding covers existing clapboards, I believe.)
There’s a house a little farther afield that we had viewed as having delusions of grandeur. It’s a modest brick ranch, long and low, too low for the windows that have been crowded into it, especially the would-be-elegant Palladian-style window (flanked by two sidelights) whose proportions are quite ruined by being truncated and overpowered by heavy woodwork . As if this weren’t bad enough, the owners have now built what can only be described as a wooden deck onto the front of the house. You probably can’t tell it from the photo, but the posts supporting the gable (which is also new) have decorative “gingerbread” brackets, further incongruous with the style of the porch.
There are times when form should follow function, but it’s hard to say what function this porch will serve. People don’t do much porch sitting around here (too many bugs). Perhaps the owners are preparing for the day when their back yard falls into the gully on which it perilously verges (we’ve been watching for some time as the owners added onto the back of the house, moving ever closer to the precipice).
There are, however, some home alterations that must make architects (and everyone else) smile. My friend the artist Dean Mosher has been working for the past 25 years to transform a plain crackerbox tract house into a fantastic fairyland castle. It’s still a work in progress because he has limited time and funds for the work (most of which he’s doing himself), but you can see from the photo below what a charming and unique home and studio have resulted (it has been featured on HGTV and in many print media).

I’m philosophical about this, but I have to say I was a bit taken aback when the sign pictured here appeared on a utility pole in front of one of the houses I’ve been watching. I meant to take a photo before it was damaged (by vandals or a storm, it’s hard to say), but the sense of it wasn’t any clearer before it was broken. Why would contractors who are not working on the job be coming to the site in the first place?
I’ve pretty much lost interest in the house itself, anyway, but I’m still curious about the “watchtower” in the front yard. As can be seen from the photo, it’s a square two-story tower. The first floor is windowless, but there is a small window on each side of the second floor—or what would be the second floor if there were a floor. So far, it is completely open and empty inside, and I’ll be interested to see whether a spiral staircase is later installed or what. My best guess is that perhaps it’s intended as a fort/playhouse for visiting grandchildren, but I suppose only time will tell.